11/19/2023 0 Comments Carla fracci aurora![]() Which dancer inspired you most as a child?Ĭarla Fracci and Erik Bruhn for their great partnership. He returned in Italy as a guest at the Rome Opera Ballet and Arena of Verona during the summer season 2011. In 2010, Mazzeo received the Premio Positano Leonide Massine Award for Best Italian Dancer, as well as the Danza & Danza Award for Best Dancer of the Year. ![]() In addition, he created a principal role in Tomasson’s Trio. Since joining SF Ballet, Mazzeo has performed includes a diverse range of principal roles in works such as MacMillan’s Winter Dreams, McGregor’s Chroma, Wheeldon’s Number Nine, Forsythe’s Artifact Suite, Balanchine’s Symphony in C and The Four Temperaments. His repertory also includes principal roles in Ashton’s Birthday Offering and Rhapsody, Balanchine’s La Chatte and Stravinsky Violin Concerto, Chalmer’s A Midsummer Night’s Dream, Fokine’s Les Sylphides, and Nijinska’s Les Biches. Throughout his career he has performed lead roles in variety of classical works, including Prince Desiré in The Sleeping Beauty, Albrecht and Hilarion in Giselle, Prince Siegfried in Swan Lake, Basilio in Don Quixote, Birbanto in Le Corsaire, the Golden Slave in Scheherazade, and Mercutio in Romeo and Juliet. Mazzeo was promoted to principal dancer in 2011. ![]() He danced with The Royal Ballet and Rome Opera Ballet before joining San Francisco Ballet as a soloist in 2010. In 1969 she gave birth to a son, Francesco, now an architect.Born in Vibo Valentia, Italy, Vito Mazzeo trained at La Scala Ballet School in Milan. In 1964, Fracci married Beppe Menegatti, the theatre and opera director, librettist and producer, whom she had first met at La Scala when she was 17 and he was Luchino Visconti’s assistant. He was blond and restrained, she dark-haired and sprightly, but for a decade – following their first joint appearance in 1962 when he invited her to dance an extract of La Sylphide with him on the US TV show The Bell Telephone Hour – they had a perfect rapport. It was a combination of opposites, described as “a meeting of ice and fire”. She introduced Mikhail Baryshnikov to Italy at the Spoleto festival in 1975 in John Butler's Medea a duet that meditated on rather than retold the legend.īut it was with the Danish danseur noble Erik Bruhn that Fracci formed one of the great dance partnerships of the 20th century. Her partners included Rudolf Nureyev, with whom she danced The Sleeping Beauty, La Sylphide (recorded in the 1972 documentary I Am a Dancer) and Juliet in his Romeo and Juliet, also filmed. Male superstarsĭuring her long career, Fracci danced with most of the male superstars of the ballet. Noting the rising star’s resemblance to Fanny Cerrito, who had danced in the original, Dolin asked the young Fracci to join the established ballerinas in his production. The same year, Anton Dolin was reworking his Pas de Quatre, originally a divertissement for a quartet of ballerinas of the 1840s, for the Nervi festival in Genoa. Her breakthrough came in 1957 when she substituted for Violette Verdy in the title role of Cinderella and the following year was promoted to ballerina. In 1954, Fracci graduated into the ballet company at La Scala. That's when I really began to work very, very hard in my ballet classes." Margot Fonteyn danced Aurora and was a revelation to the 12-year-old Carla: "It was then I really knew I wanted to become a ballerina. It was Fracci's first stage appearance and the first time she had seen ballet independent of opera. ![]() It was in May 1949 that Fracci took the opportunity to appear as a mandolin-playing page in the Sadler's Wells Ballet production of The Sleeping Beauty on tour to Italy.
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